Taryn Simon
(B. 1975)
BIO
Taryn Simon is an American multidisciplinary artist whose photographs and installations address the production and circulation of knowledge, as well as the politics of representation. The present work forms part of the series Paperwork and the Will of Capital, containing 36 photographs and 12 sculptures that recreate floral arrangements drawn from archival photographs of treaty signings.
In the photograph, the staged bouquet is based on the centerpiece from the signing of the International Islamic Trade Finance Corporation agreement, as revealed by the informative panel encased within the work. Layered flower heads in red, white, yellow, and green are placed against a neutral background, which, together with the archival display, lend the image an aura of objectivity. However, through her precise and clinical approach, Simon invites viewers to quietly, yet poignantly consider the symbolic weight of staged arrangements in the theatre of political diplomacy.

Taryn Simon, 2011.
IN THE COLLECTION

Taryn Simon
Agreement Establishing the International Islamic Trade Finance Corporation. Al -Bayan Palace, Kuwait City, Kuwait, May 30, 2006, 2015
Archival inkjet print and text on archival herbarium paper in wood frame 85 x 73 1/4 x 2 3/4 inches; 215.9 x 186.1 x 7 cm
PRESS LIST
November 12, 2025
Information Overload
March 13, 2025
Defending Works Left on the Cutting Room Floor of Our ‘Best Artworks of the 21st Century’ List
December 19, 2024
Staring At America
November 12, 2025 | Artforum | Information Overload |
March 13, 2025 | ARTnews | Defending Works Left on the Cutting Room Floor of Our ‘Best Artworks of the 21st Century’ List |
December 19, 2024 | The New York Times | Staring At America |
